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THE PARADISE CONSPIRACY
BACK ON THE MARKET FOR THE FIRST TIME IN 10 YEARS!

THE PARADISE CONSPIRACY - E-book version

Once upon a time when books went out of print, that was it. But computer technology has changed all that, and for the first time in 10 years we're bringing back one of New Zealand's biggest-selling books: The Paradise Conspiracy by Ian Wishart, as a PDF e-book.

After 18 months as a top 10 bestseller, including several appearances at #1, and 35,000 copies sold, The Paradise Conspiracy broke new ground in current affairs publishing in New Zealand.

In 2004 [click the link to watch the movie trailer], a film loosely based on the first four chapters of the book, Spooked, was released.

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The Paradise Conspiracy

SPECIAL OFFER - HALF PRICE
E-book edition

PROLOGUE:

Cause they're waiting for me,
They're looking for me,
The dream police they're coming to arrest me."
- Rick Nielsen, from the album by Cheap Trick, 1979 


The tip had come - as they often had recently - late in the evening, a sleep-shattering phone call with a voice speaking in hushed tones down the line.

"The Serious Fraud Office will rendezvous with one of your contacts, 9:00am tomorrow morning, Aotea Square. Be there."

I'd caught sight of my quarry a little after nine - the familiar visage of Spook, a source of mine, standing near the middle of the Square and, with him, senior SFO investigator Gib Beattie and another officer, both looking like they'd been tailored by the FBI. Retreating from my vantage point I slunk back to the car. The camera was on the back seat. All I needed to do was load the film. Please God, I muttered frantically as I slumped into the driver's seat and swapped the 400mm long lens for a more manageable 210mm zoom, please give me time to roll off a few shots.

I knew Beattie had been talking to Spook for months. I also knew what had been discussed in those conversations. With a Commission of Inquiry underway, a photo of my contact meeting these SFO guys could prove relevant down the line. I hadn't figured on Murphy's Law.

"Look," Spook was repeating to Beattie back in the Square, "I'm not happy about you bringing this guy Steve Drain down here. I don't know him, and I don't want to talk in front of him. Besides, I'm worried my car might get a parking ticket. Can we go back down there by the street where I can keep an eye on it?"

And so it was that just as I unpacked the film, Spook walked around the corner with the SFO's Gib Beattie and Steve Drain. My worst stakeout nightmare had just come true. I may as well have hung out a sign saying "Here I Am, Come And Get Me". Beattie and Drain took a half-step past my car and stopped dead in their tracks. While they couldn't see my face, that could tell that someone in the driver's seat had a camera in his lap.

Drain, in one fluid movement, whirled around and opened my passenger door, leaning in as he did so. "What the hell are you doing here?," he demanded. I clutched vainly at a straw, hoping that Drain was taking a wild guess, that he wasn't an avid watcher of TV news bulletins which have featured my face every week for five years, and that even if he did know who Ian Wishart was, he wouldn't recognise me behind the Ray-Ban Aviators. Fat bloody chance!

"Haven't we met before, somewhere?," he sneered, before adding "I know who you are, now tell me what you are doing down here!"

"None of your business," I retorted, giving up the play-dumb ruse.

Gib Beattie couldn't make up his mind whether to gloat or snarl, so he mixed the two expressions, his ears and nose appearing to twitch in the battle for facial control. His eyes, however, glittered with hate.

"Wishart, you bastard. You bastard! We've got you now!"

I barely had time to react - Serious Fraud Office investigator Steve Drain, a former cop, chose that moment to lunge across the seat in a bid to grab the camera and rip the film out. We fought briefly as I lashed out to stop him gaining a secure grip on the Olympus.

"Back off pal!," I warned as menacingly as I could muster, "You don't have any... [to read more, take advantage of our half price offer and grab an e-book edition of this re-released bestseller]

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Ben & Olivia: What Really Happened?

E-book edition
Link to e-book will be sent automatically
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Paradise Conspiracy 2

The sequel to The Paradise Conspiracy (E-book edition)

REVIEWS:

Wishart is, for me, without peer in this country as an investigative journalist and in this book he combines painstaking research with a pacy narrative that further cements his reputation...It seems like a fictional Hollywood thriller but it all happened - here." - City Voice

"Ian Wishart's latest book on the Winebox saga reminds one of...John Grisham." - Christchurch Press

 

Ian Wishart's devastating sequel to The Paradise Conspiracy. When this Watergate-style story broke, only a small group of investigative journalists understood its significance and tried to break open the cover-up. Leading the pack were TVNZ's Ian Wishart and the Independent Business Weekly's Jenni McManus and Warren Berryman.What they found was a Pandora's Box that led right to the top...
Have politicians interfered in criminal investigations?
Who authorised covert surveillance of a political leader?
Why did a TVNZ director resign in a scandal?
Were bribes paid to prevent an investigation of the Bank of New Zealand?
Is there evidence that the Winebox Inquiry's anti-corruption investigation became corrupted?

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Beating Big Brother

The inside story on how to get rid of a tax

REVIEW (courtesy Marmalade in the UK http://www.marmalade.net/lime/wishart.html)

This clear and well-written book tells the story of the run-up to the last days of the TV licensing system in New Zealand. It is a relatively short work of 177 pages covering the events surrounding the abolition of the licence fee; it is interspersed with 12 "Case Studies" or individual accounts of personal dealings with New Zealand's TV licensing body. I found this book surprisingly readable; it was more of a page-turner than some novels I've read.

There are similarities and differences between the TV licensing systems in New Zealand and the United Kingdom. In New Zealand, state broadcasting was only partly funded by the licence fee, the remainder being obtained from advertising. There also seems to have been administrative differences in the collection of that fee and the requirements for a fee to be paid. For example the licensing body considered that any form of television required a licence – even when not used to receive broadcasts. Further, the collection agency – Baycorp – could also adjust a person's credit rating for non-payment (or even apparent non-payment!). The collection system used even more outrageous methods than are currently used in the UK. In New Zealand all manner of blatant ruses, deceitful behaviour and in some instances even apparent fraud were used by the debt collectors. All were considered a "fair cop" as "almost everyone has a TV". Differences aside I would say that this is a must-read for anyone in the UK with an interest in the topics covered on this web site.

The story begins around 1981 when journalist Ned Haliburton was dismissed by Radio New Zealand. In 1984 he discovered the reasons for his dismissal and, considering them to be bogus, in 1990 he began a defamation action against his former employer. In the course of this he ceased paying his licence fee as he did not want to give money to an organisation against which he was currently in conflict in a civil suit. Around this time another key figure, Lindsay Perigo, a current affairs broadcaster, was becoming increasingly disgusted with TVNZ standards. Perigo set up his own radio station, Radio Liberty, and with Deborah Coddington founded a new political party – The Libertarianz. During the course of the campaign, NZ on Air was widely referred to a "NaZis on Air". It was Coddington who initially likened the behaviour of NZ on Air to the Nazis and created this nickname. Perigo's shows continued and were also relayed by Radio Pacific – most notably in Pacific's "The Politically Incorrect Show". Perigo and Haliburton soon became allies in the struggle against NZ on Air and the licence-fee. Haliburton appeared each week on Perigo's "The Politically Incorrect Show".

Having stopped paying the licence fee, it became apparent to Haliburton that licence-fee was not actually a fee but a tax imposed with dubious legality, according to the 1989 Broadcasting Act. He argued that the tax had been issued without being properly passed through Parliament ("no taxation without representation"). He also noticed a loop-hole (Section 82) that seemed to imply exemption and began to publicize the fact. Whether this exemption was valid or not, a lot of people returned their invoices claiming exemption.

In 1995 NZ on Air attempted to recover unpaid licence fees in Court and Haliburton countered by challenging the legality of the TV tax in what became a "David and Goliath" legal action; by this time Haliburton was a pensioner in his mid-70s. Haliburton appealed for funds to fight for the cause – there was an immediate response and thousands of dollars began to pour in. What had began as a local phenomenon in Orewa soon became a nationwide talking point. Although this was a matter of public interest, with huge public support, there was no television coverage of the court case. In the words of Wishart "our much-vaunted television system has not worked in the public interest, certainly in the news sphere, for a very long time, and risks being seen as mere establishment lackeys".

The book tells what happened as events went through the Courts, with subsequent class-actions. I won't go into any detail of the events but will say that much of this is a sad catalogue of difficulties faced by individuals attempting to take action against a government-backed organisation. Double-standards are rife, in Wishart's words "what's good enough for the peasants isn't good enough for their masters"; where technical breaches were brushed aside for the government and individual citizens were severely penalised; where the judicial system was only too ready to shy away from legally correct decisions in favour of judicial pragmatism. As things progressed Haliburton began increasingly to lose faith in the judicial process. Wishart – "In his eyes, it appeared that Judges consider themselves as 'Lions under the throne' – to quote Francis Bacon – whose real task was to uphold the 'establishment' rather than dispense justice. 'They always find a way to back the government'". The book's accounts of the legal proceedings are interesting too from a historical-interest perspective. In the arguments very ancient laws on taxation are cited. It also gives an insight into how protection against unjust taxation has been eroded. In earlier times, laws and Parliament were there to keep monarchs under control. Now the monarch plays only a very minor part in imposing taxes as it all falls to Parliament and there is little to keep a wayward Parliament in check.

In 1998 the public support for Haliburton's case was beginning to take its toll on NZ on Air's finances. In this year they had hoped to collect $123 million – instead they collected $100 million – 300,000 households having refused to pay. Along with the $11.4 million lost in pursuing these cases a total of $34 million dollars were lost.

Haliburton and his supporters continued to press their case though the Courts. Also in parallel with this 207,000 signatures were collected petitioning for the abolition of the tax; this was almost enough to force a referendum. In 1999 the legal action came to an end – Haliburton had not succeeded in proving the the tax was unlawful. To take this further would have meant putting the case before Privy Council and the funds and momentum were not available. However, on the 20th of May 1999, owing to the side-effects of Haliburton's actions, the licence-fee system was deemed no longer workable and abandoned.

Towards the end of the book Wishart mentions the British TV licensing system, but also shows that the UK legal system is somewhat more robust in dealing with its government than the New Zealand system. Wishart gives an interesting account of events in 1975 when the British licence fee was changed from £12 to £18 by the Minister in charge of the Home Office. This change would not be implemented until the end of the month and the public were told not to buy the cheaper licenses (that would overlap by a few days but save £6); despite this licences were sold. The Minister then attempted to revoke the issued licences but was reined in. Wishart quotes Lord Denning "The conduct of the Minister, or the conduct of his department, has been found by the Parliamentary Commissioner to be maladministration" ... "I go further. I say it was unlawful." ..."He had no right whatever to refuse to issue an overlapping licence, or, if issued, to revoke it".

Wishart also refers to the enforcement of the current licensing system in the UK. "Britain has stuck with the tax also, raising it recently to in excess of NZ$300. It has now reached a vicious stage where solo mothers unable to pay have been jailed, and their children placed in the welfare state. What State has the right to do that?" ... "It may seem like something trivial to those outside, but which is the more ancient and honourable right: the right of Government to deduct an entertainment tax, or the right of children to grow up in their mother's care?"

In the summing up at the end of the book Wishart notes how "one small event can have an effect on a nation's history" where the actions of a frail 78 year-old pensioner, and his refusal to follow with the flow but to stop and swim against the tide, brought down a nation's tv licensing system.

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